To Dwell in Darkness (2014)
“—Alastair Lansley, Stuart Durant, Alan Dyke, Bernard Gambrill, Roderick Shelton, The Transformation of St. Pancras Station, 2008 “Sit.” Kincaid gestured Cam to the sofa, then held up a hand to keep Matthew where he was. “Both of you.” When Cam complied, hugging the duffel bag to her lap, Kincaid pulled up a rickety wooden spare chair so that he could face them both.
“Tell me,” he said. “What happened to Wren?”
Matthew and Cam glanced at each other, but it was Cam who began to speak. “It... was New Year’s Eve. The boys had brought in some lager and we were going to just kick back. Ryan was out somewhere, he didn’t say. Paul wasn’t here, either, and I think Ariel was feeling a bit put out. She said we should do something radical. She got this idea about tagging something with our slogan, and she said she knew a place. Ariel’s an artist—she’s good with a paint can.” Cam hesitated. “I shouldn’t even be telling you that—it’s illegal . . .”MoreLess
“Tell me,” he said. “What happened to Wren?”
Matthew and Cam glanced at each other, but it was Cam who began to speak. “It... was New Year’s Eve. The boys had brought in some lager and we were going to just kick back. Ryan was out somewhere, he didn’t say. Paul wasn’t here, either, and I think Ariel was feeling a bit put out. She said we should do something radical. She got this idea about tagging something with our slogan, and she said she knew a place. Ariel’s an artist—she’s good with a paint can.” Cam hesitated. “I shouldn’t even be telling you that—it’s illegal . . .”MoreLess
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