Three Plays: the Young Lady From Tacna, Kathie And the Hippopotamus, La Chunga

Cover Three Plays: the Young Lady From Tacna, Kathie And the Hippopotamus, La Chunga
The majority of the action takes place in the grandparents’ house: the living room cum dining room of a modest middle-class flat. There are two doors, one leading on to the street, the other to the inner part of the house. The furniture reflects the family’s financial straits, which are verging on the desperate. The essential pieces of furniture are the old armchair where Mamaé has spent the best part of her latter years, the little wooden chair, which she uses as a walking aid, an old wireless... set, and the table where the family supper takes place in Act Two. There is a window on to the street, through which trams can be heard going past.
The set should not be realistic. It is as Belisario remembers it. It is a figment of his imagination and so objects and characters should take on a reality separate from their real-life counterparts. Besides, in the course of the action, the same set is used to represent various different locations: a drawing room in the house in Tacna where Grandmother and Mamaé lived when they were young; the dining room of the house in Arequipa, when Grandfather was managing the Camaná cotton plantation in the twenties; the house in Bolivia where Mamaé told Belisario stories during the 1940s, and Pedro’s lodgings in Camaná where he wrote his wife the letter Mamaé read in secret.
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