“Interest in the war and the veteran peaked here, between 1982 and 1987. In addition to works written by veterans and directly addressing the war and its immediate issues, a surprising number of literary and mainstream novels and story collections by nonveteran writers included veterans as emblematic characters and used the Vietnam experience as either backdrop or backstory. The vet had become an American character in his or her own right, the experience shared with the rest of the country. This... of course had its pitfalls, in that the gap between veterans and civilians was still in effect, and often authors unfamiliar with the territory gave the reader the same old clichéd vets and overwrought atrocities, only this time with the understanding that the reader’s sympathies would be with the veteran.The second wave also marks the last time American mainstream publishing would consider Vietnam a viable commercial subject, at least in fiction. After 1988, the number of new Vietnam novels released by major houses dwindled to a trickle.MoreLessRead More Read Less
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