“When it first came out, in 1965, it was attacked in many places, if not everywhere, as being insolent, insensitive, doctrinaire and perverse. In England, the land of Gentlemen, it was also dismissed as being in bad taste. Picasso was still alive and at the height of his fame. Hagiographic books and articles came out every year. The critical response to my book somewhat surprised me. I thought I had written an essay informed by sympathy for the artist and the man it concerned. Perhaps now, with ...the passing of the years, this sympathy for the protagonist of the story I tell is more evident.For example, the essay begins by discussing Picasso’s wealth, a beginning which was, at the time, considered vulgar and tasteless. To translate the sums of money I mention into current currency, one should multiply by at least ten. Then Picasso died. Soon afterwards, the internecine litigations concerning his estate began. More recently, one has witnessed similarly sordid affairs following the deaths of other artists: Salvador Dali, for instance.MoreLessRead More Read Less
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