The One That Got Away
“At the beginning of any investigation, especially a murder, all he had to work with was a snapshot. There was no narrative, no story, just the circumstances. In Laurie Hernandez’s case, he had a body, a location, and the manner of death. Before he or Ogawa could move forward, they had to go back and build a series of pictures of the past.He didn’t like to judge a victim. To him, no one ever “asked for it” or “had it coming,” or “got what they deserved.” Victims deserved justice regardless of th...eir characters, and he gave every case 100 percent. That wasn’t to say his personal feelings didn’t seep into his thinking. After a long and depressing day talking to coworkers, family, and friends about Laurie Hernandez, he’d come to the conclusion that she wasn’t a very nice person.Coworkers—present and past, of which there were many as she didn’t seem to hold on to a job for long—struggled to find a good word to say about her. “Difficult” had been the most complimentary thing anyone could offer.MoreLess
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