The Mating of Lydia

The open door revealed a room of singular architectural charm; an oval room panelled in dark oak, with a stucco ceiling, in free Italianate design. But within its stately and harmonious walls a single oil lamp, of the cheapest and commonest pattern, emitting a strong smell of paraffin, threw its light upon furniture, quite new, that most seaside lodgings would have disdained; viz., a cheap carpet of a sickly brown, leaving edges of bare boards between itself and the wainscot;
A 1913 novel by Mary