The book of the Damned
“all that opposes Exclusionism—That Development or Progress or Evolution is Attempt to Positivize, and is a mechanism by which a positive existence is recruited—that what we call existence is a womb of infinitude, and is itself only incubatory—that eventually all attempts are broken down by the falsely excluded. Subjectively, the breaking down is aided by our own sense of false and narrow limitations. So the classic and academic artists wrought positivist paintings, and expressed the only ideal ...that I am conscious of, though we so often hear of “ideals” instead of different manifestations, artistically, scientifically, theologically, politically, of the One Ideal. They sought to satisfy, in its artistic aspect, cosmic craving for unity or completeness, sometimes called harmony, called beauty in some aspects. By disregard they sought completeness. But the light effects that they disregarded, and their narrow confinement to standardized subjects brought on the revolt of the Impressionists.MoreLess
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