“The mounted works of art, the knots of well-dressed connoisseurs drifting from piece to piece amid a hum of polite conversation, brought back memories of the times I had attended similar events with my wife.As happens on these occasions, my memories seemed to refer to another, long gone life, and I half doubted that they were real. Why is it that recollections of past happiness are so evanescent, while remembrance of tragedy is so stark and real?The exhibition consisted of two separate sets of ...Matt Sommers’ work: the emotion crystals for which he was famous, and his more recent paintings. These latter were no mere graphic representations of visual subjects, but abstract pieces created from memory plastic, so that the picture within the frame changed constantly, consecutive scenes linked thematically to the last.An increased buzz of chatter heralded the arrival of the artist. He stepped into the dome flanked by two officious-looking individuals: a suited silver-haired man in his sixties who was the mayor of Magenta, and a tall woman who carried her glamour with a distant, disdainful hauteur.Between them, Sommers appeared reassuringly ordinary: he was an artist, and had nothing to prove by power-dressing or putting on a pose.MoreLessRead More Read Less
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