Saint Errant
Saint Errant
“Judith Simon Templar had to admit that the photograph of himself which adorned the front page of the copy of the New York Daily Gazette on his knee left nothing to be desired.
Taken only a couple of years ago, at the studio of an ambitious photographer who had clearly seen the potentialities of future revenue from an authentic likeness of such a disreputable character, it brought out to perfection the rakish curve of his jaw, the careless backward curl of black hair, the mocking challenge of a ...gay filibuster’s mouth. Even the eyes, by some trick of lighting in the original which had been miraculously preserved through the processes of reproduction, glinted back at him from under the bantering lines of eyebrow with all the vivid dangerous dance of humor that was in his own.
The story illustrated by the picture occupied two columns of the front page and was continued somewhere in the interior. One gathered from it that that elusive and distressingly picturesque outlaw, the Saint, had set the Law by the ears again with a new climax of audacities: his name and nom de guerre waltzed through the bald paragraphs of the narrative like a debonair will-o’-the-wisp, carrying with it a breath of buccaneering glamour, a magnificently medieval lawlessness, that shone with a strange luminance through the dull chronicles of an age of dreary news.MoreLess
Taken only a couple of years ago, at the studio of an ambitious photographer who had clearly seen the potentialities of future revenue from an authentic likeness of such a disreputable character, it brought out to perfection the rakish curve of his jaw, the careless backward curl of black hair, the mocking challenge of a ...gay filibuster’s mouth. Even the eyes, by some trick of lighting in the original which had been miraculously preserved through the processes of reproduction, glinted back at him from under the bantering lines of eyebrow with all the vivid dangerous dance of humor that was in his own.
The story illustrated by the picture occupied two columns of the front page and was continued somewhere in the interior. One gathered from it that that elusive and distressingly picturesque outlaw, the Saint, had set the Law by the ears again with a new climax of audacities: his name and nom de guerre waltzed through the bald paragraphs of the narrative like a debonair will-o’-the-wisp, carrying with it a breath of buccaneering glamour, a magnificently medieval lawlessness, that shone with a strange luminance through the dull chronicles of an age of dreary news.MoreLess
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