Robert Burns

would have thought of visiting what Burns called the classic scenes of their country. A generation before this, poets in England had led the way in this ? as when Gray visited the lakes of Cumberland, and Dr. Johnson the Highlands and the Western Isles. In his ardour to look upon places famous for their natural beauty or their historic associations, or even for their having been mentioned in some old Scottish song, Burns surpassed both Gray and Johnson, and anticipated the sentiment of the present century. Early in May he set out with one of his Crochallan club acquaintances, named Ainslie, on a journey to the Border. Ainslie was a native of the Merse, his father and family living in Dunse. Starting thence with Ainslie, Burns traversed the greater part of the vale of Tweed from Coldstream to Peebles, recalling, as he went along, snatches of song connected with the places he passed. He turned aside to see the valley of the Jed, and got as far as Selkirk in the hope of looking uponYarrow. But from doing this he was hindered by a day of unceasing rain, and he who was so soon to become the chief singer of Scottish song was never allowed to look on that vale which has long been its most ideal home. Before finishing his tour, he went as far as Mthsdale, and surveyed the farm of Ellisland, with some thought already, that he might yet become the tenant of it. It is noteworthy, but not wonderful, that the scenes visited in this, tour called forth no poetry from Burns, ...