“When the juices are flowing, or the writer is “hot,” an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality into another. In his noninspired state, the writer feels all the world to be mechanical, made up of numbered separate parts: he does not see wholes but particulars, not spirit but matter; or to put it another way, in this state the writer keeps looking at the words he’s written on the page and seeing only words on a page, not the living dream... they’re meant to trigger. In the writing state—the state of inspiration—the Active dream springs up fully alive: the writer forgets the words he has written on the page and sees, instead, his characters moving around their rooms, hunting through cupboards, glancing irritably through their mail, setting mousetraps, loading pistols. The dream is as alive and compelling as one’s dreams at night, and when the writer writes down on paper what he has imagined, the words, however inadequate, do not distract his mind from the Active dream but provide him with a fix on it, so that when the dream flags he can reread what he’s written and find the dream starting up again.MoreLessRead More Read Less
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