My Prizes: An Accounting
“The frivolousness of this protest had finally led to a result that was the opposite of what was intended and thus an intellectual catastrophe and a sad awakening. The people pushing this movement with one eye on the French did not, as they intended, bring back to Germany the good, the best, the spirit that feared no consequences, they only drove it out for a long time with their dilettantism which had nothing revolutionary about it but was merely a fashion stolen from the French, as we can now ...see. The general attitudes now reigning in Germany are obviously more depressing than they were before the events of 1968. It was no movement in the sense of Büchner’s and his gang’s movement, only a perverse game with the intellectual boredom that has been a tradition in Germany for hundreds of years. The Büchner Prize is linked with a name I had conjured only with the deepest respect for decades. For my work in directing, at the end of my studies at the Mozarteum I chose, without needing much reflection, alongside Kleist’s The Broken Pitcher and Thomas Wolfe’s Mannerhouse, Büchner’s Leonce and Lena.MoreLess
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