Music for Chameleons
“THAT WINTER afternoon she had an appointment with Dr. Bentsen, formerly her psychoanalyst and currently her lover. When their relationship had changed from the analytical to the emotional, he insisted, on ethical grounds, that she cease to be his patient. Not that it mattered. He had not been of much help as an analyst, and as a lover—well, once she had watched him running to catch a bus, two hundred and twenty pounds of shortish, fiftyish, frizzly-haired, hip-heavy, myopic Manhattan Intellectual, and she had laughed: how was it possible that she could love a man so ill-humored, so ill-favored as Ezra Bentsen? The answer was she didn’t; in fact, she disliked him. But at least she didn’t associate him with resignation and despair. She feared her husband; she was not afraid of Dr. Bentsen. Still, it was her husband she loved.She was rich; at any rate, had a substantial allowance from her husband, who was rich, and so could afford the studio-apartment hideaway where she met her lover per...haps once a week, sometimes twice, never more.MoreLess
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