Faraway Places

Cover Faraway Places
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Genres: Fiction
Homes THE THING ABOUT TOM SPANBAUER IS—HE’S THE REAL deal. There are others who think they are—but they’re not. Tom is, but he’s not going to be the one to tell you about it. Unlike those who announce themselves—all too prematurely—as genius and saviors, Tom says nothing; he has the warrior’s way of waiting, the proud patience. He sees the posing and fakery and it doesn’t make him pissed, it doesn’t make him think all the world’s a fool; it confirms what he already knows about the irony of our ...time in this world. He doesn’t begrudge others their ego or their insanity; he’s kind and generous and he is the real deal because he simply is—he lives and he writes and he survives.
I saw Tom before I knew him—it was 1985 in New York City. We were in Gordon Lish’s class at Columbia University. Tom was sexy and sagacious and different from 99 percent of the other students. First off, he had a job. Secondly, it was a real job, not a trust fund-subsidized publishing gig.
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