Ends And Odds (1976)
“McWhinnie. It will be taped again by the Süd-Deutscher Rundfunk in May, 1977, directed by Samuel Beckett, with Klaus Herm as F.
Female Voice (V) Male Figure (F) I. Pre-action.
II. Action.
III. Re-action.
Room: 6 m. × 5 m.
1. Door.
2. Window.
3. Mirror.
4. Pallet.
5. F seated by door.
6. F at window.
7. F at head of pallet.
A Position general view.
B ″medium shot.
C ″near shot of 5 and 1, 6 and 2, 7 and 3.
I 1. Fade up to general view from A. 10″.
2. V: Good-evening. Mine is a faint voice. Kindl...y tune accordingly. (Pause.) Good-evening. Mine is a faint voice. Kindly tune accordingly. (Pause.) It will not be raised, nor lowered, whatever happens. (Pause.) Look. (Long pause.) The familiar chamber. (Pause.) At the far end a window. (Pause.) On the right the indispensable door. (Pause.) On the left, against the wall, some kind of pallet. (Pause.) The light: faint, omnipresent. No visible source. As if all luminous. Faintly luminous. No shadow. (Pause.) No shadow. Colour: none. All grey.MoreLess
Female Voice (V) Male Figure (F) I. Pre-action.
II. Action.
III. Re-action.
Room: 6 m. × 5 m.
1. Door.
2. Window.
3. Mirror.
4. Pallet.
5. F seated by door.
6. F at window.
7. F at head of pallet.
A Position general view.
B ″medium shot.
C ″near shot of 5 and 1, 6 and 2, 7 and 3.
I 1. Fade up to general view from A. 10″.
2. V: Good-evening. Mine is a faint voice. Kindl...y tune accordingly. (Pause.) Good-evening. Mine is a faint voice. Kindly tune accordingly. (Pause.) It will not be raised, nor lowered, whatever happens. (Pause.) Look. (Long pause.) The familiar chamber. (Pause.) At the far end a window. (Pause.) On the right the indispensable door. (Pause.) On the left, against the wall, some kind of pallet. (Pause.) The light: faint, omnipresent. No visible source. As if all luminous. Faintly luminous. No shadow. (Pause.) No shadow. Colour: none. All grey.MoreLess
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