“Taking stylus in hand, and bowing to dull expectation, he scratched, “You’ve made my day,” into the cement block. It had scarcely hardened before he had another picture in release. This was City Heat, and before it was finished—before it was started—it became the playground for much trickier Hollywood rituals. Indeed, it developed into something like a paradigmatic conflict between someone trying to conduct business as usual, Hollywood style, and someone fully intending to do business as usual,... Eastwood style. The script, under another title, had been submitted to Warners by its writer, Blake Edwards, who intended to direct it as well. It was a period piece, set in Kansas City in 1933, during the waning days of Prohibition, and it featured a bantering relationship between private eye Mike Murphy and police detective Lieutenant Speer, who had once been partners on the force but were now on the outs. The freelance investigator is a raffish sort, the cop more dour and often obliged to rescue his pal from the potentially deadly consequences of his insouciance.MoreLessRead More Read Less
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