Campo Santo (Modern Library Paperbacks)
“STANISLAW LEM, IMAGINARY MAGNITUDE I drove through ruined Cologne late at dusk, with terror of the world and of men and of myself in my heart.
VICTOR GOLLANCZ, IN DARKEST GERMANY To this day there is no adequate explanation of why the destruction of the German cities toward the end of the Second World War was not (with those few exceptions that prove the rule) taken as a subject for literary depiction either then or later, although significant conclusions could certainly have been drawn from ...this admittedly complex problem. It might, after all, have been supposed that the air raids very methodically carried out over the years and directly affecting large sections of the population of Germany, as well as the radical social changes resulting from the destruction, would have been an incitement to writers to set down something about such experiences. The dearth of literary records from which anything might be learned of the extent and consequences of the destruction which is so obvious to a later generation, although those involved clearly felt no need to commemorate it, is all the more remarkable because accounts of the development of West German literature frequently speak of what they call the Trümmerliteratur (the literature of the ruins).MoreLess
VICTOR GOLLANCZ, IN DARKEST GERMANY To this day there is no adequate explanation of why the destruction of the German cities toward the end of the Second World War was not (with those few exceptions that prove the rule) taken as a subject for literary depiction either then or later, although significant conclusions could certainly have been drawn from ...this admittedly complex problem. It might, after all, have been supposed that the air raids very methodically carried out over the years and directly affecting large sections of the population of Germany, as well as the radical social changes resulting from the destruction, would have been an incitement to writers to set down something about such experiences. The dearth of literary records from which anything might be learned of the extent and consequences of the destruction which is so obvious to a later generation, although those involved clearly felt no need to commemorate it, is all the more remarkable because accounts of the development of West German literature frequently speak of what they call the Trümmerliteratur (the literature of the ruins).MoreLess
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