A Note On Charlotte Bront

ve to the highest. There is no surer test as there can be no higher evidence than this of that imperative and primary genius which holds its power in fee of no other mind, which derives of no foreign stream through the conduit of no alien channel. Perhaps we may reasonably divide all imaginative work into three classes ; the lowest, which leaves us in a complacentmood of acquiescence with 'the graceful or natural inventions and fancies of an honest and ingenious workman, and in no mind to question or dispute the accuracy of his transcript from life or the fidelity of his design to the modesty and the likelihood of nature; the second, of high enough quality to engage our judgment in its service, and make direct demand on our grave attention for deliberate assent or dissent; the third, which in the exercise of its highest faculties at their best neither solicits nor seduces nor provokes us to acquiescence or demur, but compels us without question to positive acceptance and belief. Of the first class it would be superfluous to cite instances from among writers of our own day, not undeserving of serious respect and of genuine gratitude for much Section 4honest work done and honest pleasure conferred on us. Of the second order our literature has no more apt and brilliant examples than George Eliot and George Meredith. Of the third, if in such a matter as this I may trust my own instinct?that last resource and ultimate reason of all critics in every case and on every que...